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August 2012 Photos

Screen Acting Intensive Masterclass 19 & 26 August, 2012

“And… Action!”
Tutor Peter Phelps calling "Action" for an on-camera scene reading: Screen Acting Intensive Masterclass Sunday August 19, 2012

Tutor Peter Phelps working with students during Session 1 of the Screen Intensive masterclass
Tutor Peter Phelps working with students during Session 1 of the Screen Intensive masterclass: August 19, 2012

Cold scene reading: Screen Acting Intensive Session 1.
Cold scene reading: Screen Acting Intensive August 19, 2012

On-camera scene reading. Session 1: Screen Intensive masterclass
Scene reading. Screen Intensive masterclass August 19, 2012

Scene breakdown: Screen Intensive masterclass (Session 1) Sunday August 19, 2012
Scene breakdown: Screen Intensive masterclass (Session 1) Sunday August 19, 2012

Screen Acting Intensive tutor Peter Phelps breaking down a scene for the students
Screen Intensive tutor Peter Phelps breaking down a scene for the students

Scene reading: Screen Acting Intensive Masterclass. Sunday August 19, 2012

Armoury for Actors Masterclass 12 August, 2012

Film armourer Tony Garland instructing students during the Theory Session

Film armourer Tony Garland: Theory Session

Armourer Tony Garland explaining the mechanics of firearms and ammunition

Smorgasbord: Armoury for Actors masterclass

“When I call “Action!” I mean “Action!”

Student sighting a Glock during masterclass Theory Session

“Help! What do I do now!?!” Armoury masterclass Theory Session

Student sighting .44 magnum revolver during Theory Session
Student sighting .44 magnum revolver during Theory Session

Students learning how to lock and load assault rifles and shotguns
Students learning how to lock and load assault rifles and shotguns

Desert Eagle
Desert Eagle

Armoury Masterclass: Practical Session
Armoury Masterclass: Practical Session

Armoury Masterclass – Massive AK47 barrel flash
Flaming AK 47

Practical Session: Student firing a .44 Magnum revolver
Practical Session: Student firing a .44 Magnum revolver

Screening Party Film Acting Techniques Masterclass 11 August, 2012

Hugh Cann Casting Process masterclass and Q&A Session August 5, 2012

Hugh Cann Casting Process masterclass and Q&A session

Screen Acting Intensive Masterclass with tutor Salvatore Coco

Screen Acting Intensive masterclass tutor Salvatore Coco evaluating a scene rehearsal

Scene reading: Screen Intensive Masterclass

Screen Acting Intensive masterclass students observing a scene rehearsal

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Screen Actors Workshop - Sydney
Studio: 0410-659-269

Latest Posts

Wooden Acting

When an actor’s performance is described as “wooden,” what does that mean? Basically it means that the performance is forced, in other words, the feelings and emotions are “acted,” not felt. Good acting is living in the moment and truthfully experiencing what the character is feeling emotionally from moment to moment. Wooden acting can be […]

Finding the right acting tutor

The first step in commencing your budding acting career is to find the right acting school and, most importantly, the right acting teacher for you. If you want to learn stage acting then you have a wide choice of institutions. If you want to study screen acting, the choices are limited. But the most critical […]

Truthful Acting

Truthful acting means just that. It means don’t ACT for the camera but instead have an experience! Feel what the character is feeling from moment to moment and immerse yourself fully into the role. The camera is a great bullshit detector and if you’re “acting” then the camera will immediately read the performance as phony […]

Commitment

It’s one thing to apply for a full-time acting course after completing high school when you have plenty of free time and access to resources such as Hex, Austudy or Abstudy. But what if you’re a mature age student? How can you learn how to act while juggling a full-time job and family commitments? If […]

Learning Lines

Whether for stage or screen you must  learn your lines. There is no excuse. As veteran British actor Bill Nighy says: “You must know your lines inside out and back to front.” If you don’t know your lines then you are not connected to either the moment or to the other actor(s). There are numerous techniques […]

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